Operation Art at the Art Gallery of NSW

Operation Art’s top fifty artworks were opened at the Art Gallery of NSW on 6 October by Michael Coutts-Trotter, the Director General for the NSW Department of Education and Training.

The Director-General said, they were an “exercise in imagination and empathy through art. Who better to know what can comfort a child than another child with the special empathy of other children?” he said. Subjects are diverse and colourful, ranging from realistically drawn animals to imaginary landscapes, abstract portraits and paintings with influences from other nations.  

Self Portrait Aboriginal Influence Blue Bottle Isabel The Duck

Edmund Capon, Director of the Art Gallery of NSW praised the young artists as being the “Picassos of the future” and said a creative society was a society of optimism and hope. “These young artists are contributing positively to the lives of young people and assisting in the healing process,” he added.

The Olgas Italian Village Sailing Still Life Cubism

This year Operation Art celebrates a 15 year partnership between the NSW Department of Education & Training, the Children’s Hospital Westmead and the Art Gallery of NSW.

My Friend  Giraffe  Penguin

 Originally 665 artworks were submitted for this year’s Operation Art. All were created by school students hoping to bring a smile to the faces of sick children in hospital. These 50 fabulous artworks were selected to hang in the Art Gallery of NSW for one month before touring to regional galleries in Bathurst, Maitland, Tweed and Armidale in 2010. They will then return to the Children’s Hospital Westmead in 2011 to become part of their permanent collection.

Zebra Blue Whales Fergus The Dog

African Inspiration My Family Flame Pea

Other artworks have been selected for display at the NSW Commission for Children & Young People and also the NSW Office of the Children’s Guardian. Each of those selected artworks will eventually be given to children’s wards of country or overseas hospitals while some are given to Bear Cottage at Manly.

Reflection Look closely in the rain droplet!

 Young People Creating Artworks for Children in Hospital

Operation Art in the LA Times

How many little Aussie battler visual arts education programs receive international recognition?

Recently, I was contacted by the Los Angeles Times with a request about using children’s artworks in their Creativity Corner on the Kids Reading Page. My good friends, Earl & Gary, at the Art For Healing Foundation in Montreal had steered them towards Operation Art knowing that it is children’s artworks of the very highest standards.

Check out what the LA Times has used this week:

www.latimes.com/entertainment/news/la-et-corner23-2009aug23,0,3750666.story

Meanwhile, here’s another one of my other favourites from 2009!

Giraffe

Giraffe

Behind The News

Great news story on Behind the News , ABC TV about Operation Art and the positive effects on all the children involved. It doesn’t matter if you are a young patient in hospital or a talented young artist… everybody feels good!

Follow the link    www.abc.net.au/news/btn/story/s2639929.htm

or Search:  Behind The News – Episode 20 – 4 August – Hospital Art

Enjoy!!!

Don't Move - David Steele   Age 14  Lismore High School

Don't Move - David Steele Age 14 Lismore High School

Creativity in schools: Every story needs a picture

Recently, I was emailed this fascinating story and while I advocate teaching our children through the arts, I do believe that Art must also be taught for Art’s sake. The alarm bells are ringing:

 

Why do so many people say: ‘I can’t draw’?

The answer may lie in schools, says the children’s laureate  Anthony Browne 

Tuesday June 30 2009 The Guardian

Anthony Browne, the new children\'s laureate, who says we should teach children, and adults, to read pictures. Photograph: Eamonn McCabe
On a recent school visit I was greeted by a teacher who proudly informed me that the children at this particular school were two years further ahead in their reading compared with those in other schools. I was impressed.Then I began talking to various classes.

The children were indeed bright, articulate and enthusiastic, and keen to play the shape game, a drawing game that I always play in schools. It’s a game that my brother and I thought we’d invented when we were small boys, but it seems that children play their own version of this game all over the world.

 

It’s very simple. The first person draws an abstract shape, without thinking about it. Sometimes I quote Paul Klee and say it’s like “taking a line for a walk”. The next person transforms the shape into something recognisable.
All children seem to love playing this game, and they’re very good at it – much better than most adults. Although on one level it’s just a game, I believe that it encapsulates the act of creation. Every time we paint a picture, write a story or compose a piece of music, we are, in effect, playing the shape game. Everything comes from something else, inspiration is everywhere.

But at this school I saw that the shapes the children were drawing tended to be very carefully drawn small triangles, squares and circles – “proper” shapes. As the game went on, I tried gently to steer them towards wilder, imaginative shapes, and by the end of each session they were playing with as much abandon and creativity as any group I’d worked with.

I showed the same children images from my books, demonstrating how I’ve played the shape game in every book I’ve ever made. But again I noticed a difference from other schools I’d visited – no one recognised the Mona Lisa. I was amazed, and later in the day as I left the school, I looked at  the artwork displayed on the walls. Every piece of art was related to another subject: history, geography or science. Art for art’s sake was nowhere to be seen.Of course, this school isn’t typical of the ones I’ve visited, but it does seem to sound warning bells. The evidence of a lack of visual creativity in schools is a danger that we ignore at our peril.

Most adults will tell me: “I can’t draw!” Children, too, as they get older, say the same thing. Something happens to our creativity as we go through the education process; most of us lose touch with it. A stifling
form of self-consciousness invades us, whether it be in drawing, writing, singing or (in my case) dancing.When I talk to children, I show them a typical drawing I made when I was six and point out to them that when I was their age I didn’t draw any better than any of them. All children can draw because they instinctively know that drawing isn’t about reproducing a careful, photographic version of an object or a scene. Drawing is about communication, and the shape game is a perfect example of this. It makes us look, and use our visual imagination.

The game starts with us creating a visual simile – we may think the abstract shape looks like a hat – then, as we transform the shape, we create a visual metaphor: the shape becomes a hat.

 

Just before this unhelpful self-consciousness creeps into children, many of them are encouraged to move away from picture books and move into chapter books” – books without illustrations. Perhaps there’s a connection? The illustrations in picture books are the first paintings most children see, and because of that they are incredibly important. What we see and share at that age stays with us for life. If children are encouraged to think that pictures are for babies and that to become educated is to leave images behind and concentrate purely on words, we risk creating a country of visually illiterate adults. Research has shown that we spend, on average, 30 seconds looking at paintings in a museum and considerably longer reading the captions.
I’m sure we can change this by teaching children (and adults) to read pictures as well as words. As adults, we’ve seen so much before that we often turn the pages of a picture book without really looking. Young children tend to look more carefully. It’s often said that children now grow up in a visual world of computer games, television, DVDs and films. That’s true, but these are moving images, and what I believe we all need to do is to stop and really look at pictures and at the world. By looking we learn so much.

I may be the new children’s laureate but I’m definitely not an expert on education. I did start teacher training courses at Goldsmiths in 1967 and Leeds in 1971, but realised I was doing it for completely the wrong reasons. So I’m not going to spend the next two years telling teachers how they should be teaching, or the government how it should be running the country. I do feel, however, that in our rush for children to pass tests and tick boxes we are in danger of crushing their gloriously innate creativity and imagination.

 

To see this story with its related links on the guardian.co.uk site, go to
http://www.guardian.co.uk/education/2009/jun/30/creativity-schools-childrens-laureate

For more information on the children’s laureate, administered by Booktrust, please see www.childrenslaureate.org.uk Is your school doing exciting, creative things? We want to hear about it. Education Guardian’s Creative Summer project aims to show what schools re doing to brighten the curriculum. Send your pictures, poems, videos and schemes to us at creativityintheclassroom@guardian.co.uk Copyright Guardian Newspapers Limited 2009

How Are YOU Intelligent?

 

 

Today I listened to my favourite creative thinker!

 

Dr Ken Robinson spoke with Margaret Throsby on ABC Classic 95.7FM.

Check the podcast out at: www.abc.net.au/classic/throsby

 

Once again, he reminded us how our education system needs to change if we are to encourage individuals to find their passion and become the best. He also reminded us that maybe we find the wrong answer because we ask the wrong question:

 

‘How intelligent are you?’ should really be ‘How are you intelligent?’

 

Think about it… you may not consider yourself intelligent and yet I am sure you are fabulous at doing at least one thing and I bet you enjoy doing it as well. You are therefore intelligent at the very least at one thing!

 

As Dr Robinson points out, Einstein may have been considered intelligent but if he was being marked on his ballet abilities then he may not do quite so well.

Imagine how well Einstein would have done ‘in life’ if he had been continually marked on his dance skills rather than his other ‘academic’ abilities.

 

It seems to me to that the idea of considering a person intelligent because of their academic achievements, is as archaic as offering education to people based on their skin colour, their sex or their financial ability to pay. In the past, education was limited to certain people and now it appears to be limited by value of subjects.

Education should be as diverse as is intelligence!

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